Peter Mullan, News, Pictures, Buzz

Source: Google
Peter Mullan
Ozark season 4; interesting facts;
Ozark season 4; interesting facts; interesting cast and characters; trailer; release date  Moscoop
Posted on 12 July 2020 | 7:12 pm
England v West Indies: first Test, day five
England v West Indies: first Test, day five – live! | Sport  Sprout Wired
Posted on 12 July 2020 | 5:57 am
Amazing new Glasgow east end mural
Amazing new Glasgow east end mural encourages people to 'Visit Dennistoun'  Glasgow Live
Posted on 12 July 2020 | 4:59 am
Ozark season 4- what will be the story of
Ozark season 4- what will be the story of the new season? Tap to know release, cast, plot and much more?  Finance Rewind
Posted on 12 July 2020 | 12:33 am
What's on TV: Friday | Culture - The Times
What's on TV: Friday | Culture  The Times
Posted on 11 July 2020 | 4:01 pm
Source: Yahoo
Peter Mullan
The Best New Shows on Netflix in July 2020 -
The Best New Shows on Netflix in July 2020  Collider.com
Posted on 10 July 2020 | 6:54 pm
Meet the cast of Netflix fantasy series
Meet the cast of Netflix fantasy series Cursed  RadioTimes
Posted on 10 July 2020 | 6:31 am
Great sunflower competition - Coleraine
Great sunflower competition  Coleraine Times
Posted on 9 July 2020 | 8:30 am
Yaxley Actor Peter Mullan Takes On Another
Yaxley Actor Peter Mullan Takes On Another Villain Role in Netflix's "Cursed"  MuggleNet
Posted on 9 July 2020 | 8:26 am
Cursed on Netflix: start date, cast, plot
Cursed on Netflix: start date, cast, plot and everything you need to know  What's On TV
Posted on 8 July 2020 | 12:47 am
Source: Bing
Peter Mullan
Netflix: Session 9 ending explained –
Netflix: Session 9 ending explained – these theories make second viewing essential  HITC - Football, Gaming, Movies, TV, Music
Posted on 6 July 2020 | 6:37 am
Movies Trailers & TV Promos Of the Week,
Movies Trailers & TV Promos Of the Week, From Candyman To Soul  CBR - Comic Book Resources
Posted on 5 July 2020 | 12:20 pm
Derry death notices - Sunday, July 5, 2020 -
Derry death notices - Sunday, July 5, 2020  Derry Now
Posted on 5 July 2020 | 3:58 am
Neflix: Cursed Trailer For New Arthurian
Neflix: Cursed Trailer For New Arthurian Tale  That Hashtag Show
Posted on 3 July 2020 | 12:00 am
'First hundred days' push for radical family
'First hundred days' push for radical family law reform  Law Society of Ireland Gazette
Posted on 2 July 2020 | 12:00 am
Source: Older News
Peter Mullan
Cursed cast, UK release date and trailer as
Cursed cast, UK release date and trailer as new series comes to Netflix  Telly Mix
Posted on 2 July 2020 | 12:00 am
10 Best New Shows on Netflix: July 2020's
10 Best New Shows on Netflix: July 2020's Top Upcoming Series to Watch  Decider
Posted on 1 July 2020 | 12:00 am
Never Have I Ever Season 2 Greenlit, New
Never Have I Ever Season 2 Greenlit, New Cursed & Fatal Affair Videos  VitalThrills.com
Posted on 1 July 2020 | 12:00 am
New Trailer for the Cursed Netflix Series -
New Trailer for the Cursed Netflix Series - VitalThrills.com  VitalThrills.com
Posted on 30 June 2020 | 7:21 am
Ozark: Who is dating who? The real-life
Ozark: Who is dating who? The real-life relationships behind Ozark  Express.co.uk
Posted on 30 June 2020 | 12:00 am
Source: Twitter
Peter Mullan
MirandaKitten: @MaRaineyBlues Yes it's ok, I
MirandaKitten: @MaRaineyBlues Yes it's ok, I know Vikings is #%&^ Prime, but Peter Mullan is in "Cursed" #%&^ Netflix.... 😁
Posted on 12 July 2020 | 11:32 pm
YRGMFilm: RT @hayleyosborne93:
YRGMFilm: RT @hayleyosborne93: ANNOUNCEMENT I'm still in shock, but the incredibly talented actor/writer/director Peter Mullan is Executive Producer…
Posted on 12 July 2020 | 11:32 pm
shakinggeometry: @emmy_the_great As someone
shakinggeometry: @emmy_the_great As some#~%e that grew up where the show takes place I was likewise left with no choice but to come t… https://t.co/ygytbACLBD
Posted on 12 July 2020 | 11:32 pm
hayleyosborne93: ANNOUNCEMENT I'm still in
hayleyosborne93: ANNOUNCEMENT I'm still in shock, but the incredibly talented actor/writer/director Peter Mullan is Executive Produ… https://t.co/C7jiwam6X7
Posted on 12 July 2020 | 11:32 pm
RobDunsmore: @landofsunshine1 Loved Peter
RobDunsmore: @landofsunshine1 Loved Peter Mullan in that
Posted on 12 July 2020 | 11:32 pm
Source: Answers
Peter Mullan
Resolved Question: Whats the movie where a
and one of the characters who die is afraid of the dark
Posted on 24 September 2016 | 2:32 pm
Resolved Question: Is the movie The
The severe living conditions in Catholic Church-run laundries in 1964 Ireland are sensationalized to the point of caricature in writer-director Peter Mullan's problematic melodrama "The Magdalene Sisters" (Miramax). The fact that the austere Magdalene asylums existed is undeniable. Undoubtedly, a number of young women sent there by their parents or guardians were treated cruelly. However, Mullan puts forth an oversimplified, worst-case scenario in which every nun is a monster and the only priest connected with the laundry has forced a simple young woman confined there to yield to his sexual demands. An audience has a right to wonder whether the film is attempting to throw light on a painful, little-known situation or merely genuflecting at the altar of sensationalism while exploiting others' suffering. The film centers on four young women who were sent off to perform manual labor in facilities known as the "Magdalene laundries" in order to be spiritually rehabilitated for their alleged sins of the flesh. Mullan's narrative presents them as physically and verbally abused by the nuns in charge of the laundry as if the four actually existed. However, these characters are fictitious, made up from composites of stories Mullan heard from those who lived in the workhouses -- a fact muddied by the coda that appears at the end of the film explaining "what became of" each of the characters. As such, the movie's treatment of events exploits the facts to make it less a story of the four than a film aimed at positioning the church as one-dimensionally wicked. The nuns pictured are so uniformly sadistic and hypocritical that they make the infamous Nurse Ratched in "One Flew Over the Cuckoo's Nest" seem like Mother Teresa. Unlike what follows, the film's opening scene is well-crafted. Using scant dialogue, it cinematically depicts young Margaret (Anne-Marie Duff) being lured upstairs during a wedding reception by her cousin, who then rapes her and proceeds to pin the blame on her. The next day her scornful parents turn her over to a priest who delivers her to a Magdalene laundry workhouse at the same time that orphaned flirt Bernadette (Nora-Jane Noone) and unwed mother Rose (Dorothy Duffy) arrive. This is the set-up. But beyond it, caricature trumps character. In place of narrative, the film unreels one horror after another on the four young women in lurid, episodic fashion: brutal beatings and malicious mind games by the nuns, including a group shower-room scene involving extended full frontal nudity and taunting insults aimed at dehumanizing their humiliated charges. The nuns, presented as consistently evil, money-grubbing, merciless hags, have no emotional depth. They are as exaggerated in their sadism as Ingrid Bergman is in celestial benevolence in "The Bells of St. Mary's" -- the film Sister Bridget sheds a crocodile tear over at a Christmas screening. Not one ounce of human kindness -- not to mention Christian compassion -- can be found under any wimple or collar. This painting with broad brush strokes is better suited for the propagandist than the dramatist. Regrettably, drama is jettisoned along with objectivity since this kind of stacking the deck drains the narrative of any inner tension. The result is a cavalcade of cartoonish vignettes which present to viewers about as nuanced a picture of Irish nuns as 1915's "The Birth of a Nation" did of African-Americans. This pervasive shallowness extends to the girls themselves. Despite overall strong performances, they serve as little more than props, punching bags for the sinister nuns to vent their fury. While some blame is attached to parents who so readily banished daughters in difficulty to the harsh conditions of these laundries, any attempt to understand the forces that shaped these institutions, which had much to do with the distinct religious and cultural milieu of the time and place in which they flourished, is rejected. The righteous indignation felt for the girls, while justified by the suffering they endured, is wrung out of the audience through cheap, kick-the-puppy melodrama where the audience is manipulated to cheer when the nuns get a taste of their own medicine. It's distressing that any Irish women had to endure the deplorable conditions of these workhouses. But the film never attempts to move beyond shrill finger-pointing toward any meaningful insights. In place of a sensitive examination of abuse of religious power, Mullan's simplistic approach
Posted on 2 February 2013 | 6:48 am
Resolved Question: Is the movie The
The severe living conditions in Catholic Church-run laundries in 1964 Ireland are sensationalized to the point of caricature in writer-director Peter Mullan's problematic melodrama "The Magdalene Sisters" (Miramax). The fact that the austere Magdalene asylums existed is undeniable. Undoubtedly, a number of young women sent there by their parents or guardians were treated cruelly. However, Mullan puts forth an oversimplified, worst-case scenario in which every nun is a monster and the only priest connected with the laundry has forced a simple young woman confined there to yield to his sexual demands. An audience has a right to wonder whether the film is attempting to throw light on a painful, little-known situation or merely genuflecting at the altar of sensationalism while exploiting others' suffering. The film centers on four young women who were sent off to perform manual labor in facilities known as the "Magdalene laundries" in order to be spiritually rehabilitated for their alleged sins of the flesh. Mullan's narrative presents them as physically and verbally abused by the nuns in charge of the laundry as if the four actually existed. However, these characters are fictitious, made up from composites of stories Mullan heard from those who lived in the workhouses -- a fact muddied by the coda that appears at the end of the film explaining "what became of" each of the characters. As such, the movie's treatment of events exploits the facts to make it less a story of the four than a film aimed at positioning the church as one-dimensionally wicked. The nuns pictured are so uniformly sadistic and hypocritical that they make the infamous Nurse Ratched in "One Flew Over the Cuckoo's Nest" seem like Mother Teresa. Unlike what follows, the film's opening scene is well-crafted. Using scant dialogue, it cinematically depicts young Margaret (Anne-Marie Duff) being lured upstairs during a wedding reception by her cousin, who then rapes her and proceeds to pin the blame on her. The next day her scornful parents turn her over to a priest who delivers her to a Magdalene laundry workhouse at the same time that orphaned flirt Bernadette (Nora-Jane Noone) and unwed mother Rose (Dorothy Duffy) arrive. This is the set-up. But beyond it, caricature trumps character. In place of narrative, the film unreels one horror after another on the four young women in lurid, episodic fashion: brutal beatings and malicious mind games by the nuns, including a group shower-room scene involving extended full frontal nudity and taunting insults aimed at dehumanizing their humiliated charges. The nuns, presented as consistently evil, money-grubbing, merciless hags, have no emotional depth. They are as exaggerated in their sadism as Ingrid Bergman is in celestial benevolence in "The Bells of St. Mary's" -- the film Sister Bridget sheds a crocodile tear over at a Christmas screening. Not one ounce of human kindness -- not to mention Christian compassion -- can be found under any wimple or collar. This painting with broad brush strokes is better suited for the propagandist than the dramatist. Regrettably, drama is jettisoned along with objectivity since this kind of stacking the deck drains the narrative of any inner tension. The result is a cavalcade of cartoonish vignettes which present to viewers about as nuanced a picture of Irish nuns as 1915's "The Birth of a Nation" did of African-Americans. This pervasive shallowness extends to the girls themselves. Despite overall strong performances, they serve as little more than props, punching bags for the sinister nuns to vent their fury. While some blame is attached to parents who so readily banished daughters in difficulty to the harsh conditions of these laundries, any attempt to understand the forces that shaped these institutions, which had much to do with the distinct religious and cultural milieu of the time and place in which they flourished, is rejected. The righteous indignation felt for the girls, while justified by the suffering they endured, is wrung out of the audience through cheap, kick-the-puppy melodrama where the audience is manipulated to cheer when the nuns get a taste of their own medicine. It's distressing that any Irish women had to endure the deplorable conditions of these workhouses. But the film never attempts to move beyond shrill finger-pointing toward any meaningful insights. In place of a sensitive examination of abuse of religious power, Mullan's simplistic approach
Posted on 2 February 2013 | 6:47 am
Resolved Question: Who is the actor for Ted
Posted on 5 February 2012 | 3:54 am
Resolved Question: Question is regarding
What is peter mullan's character explanation of tyrannosaur (which he explains to Hannah in one scene)? Scottish accent is sometimes hard to understand.
Posted on 14 December 2011 | 4:56 pm

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